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PPOK School {June 4-7 2012}

The Oklahoma School of Professional Photography is a Professional Photographers of America affiliated school held annually.  This year the class location has moved from St Gregory’s University in Shawnee to the Best Western Plus in Stillwater.  Each program is geared to provide instruction in areas immediately useful to the working professionals that attend and help mature social interaction between photographers of all skill levels.

Currently there are three Premier Classes to choose for your four day education retreat.

“The Real WoW Factor” with Ross Benton
Benton’s class is an intensive “hands-on” class focusing on photography, outdoor strobe usage, posing, then the workflow, working with Photoshop to produce dramatic images.

“The Artist Within” with Jim Cunningham
Cunningham, one of the great Painter Artists, will teach you how to transform your images into “painter” masterpieces.

“Essentials of Photographic Knowledge” with Dr. Glenn Cope
This class is designed to prepare the student to take the PPCC Certification Examination. However, it is valuable for anyone wanting to evaluate their general knowledge of professional photography.

Recently had the opportunity to discuss the future of the PPOk School and it’s upcoming activities with the new director, Randy Taylor.  He is planing some impromptu, casual and fun events for the “after-hours” sessions, including “The Power Hour” geared to jump start participant’s photographic and business diversity through creative and energized leaders.

Don’t wait – Sign Up TODAY and be a part of the new programs changing the face of Oklahoma’s Photographic Industry!

ONLINE REGISTRATION HERE!

 

Be Sure to LIKE US on Facebook 

 


 
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Commercial Photography Bid – a real world example.

Published on April 30, 2012 by in Uncategorized

One of the things I always tell people who ask my advice on pricing, is that commercial photography is NOT the same as babies in the park, weddings or other retail portrait jobs. You are providing a business with a foundation which to profit from. You need to price it accordingly and that is significantly higher than a wedding or senior yearbook photo. In fact, MANY commercial photography purchasers will throw out the cheapest bids simply because they feel like you probably aren’t up to par with the other 75% of bids that were significantly higher.

I was going to use one of my own bids, but the following blog link is A) An EXCELLENT resource for these type of articles, B) written much better than I could have done it, and C) breaks down the estimate in fine detail, along with reasons behind such things as “renting” gear you own already on line items (Read the comments as well on this article).

An ad agency in Podunk, KS probably will not have this kind of budget, but notice in the article how they actually asked what the budget was, AND eventually got an answer! If you bid blindly, you will always be at a disadvantage. Don’t get me wrong, if you can’t shoot Brad Trent quality, you shouldn’t bid top tier prices, but part of commercial photography cost is the mileage the client will get out of the image, not just what it cost to make the image or how “pee your pants awesome” it is. Another point to note, when the client requested the bid be lowered to match their budget, notice how NOTHING was given away free. Every dollar that came off the bid, had a corresponding service or allowance removed with it.

http://www.aphotoeditor.com/2012/04/24/pricing-negotiating-public-service-announcement/#comments

 

Jason

http://www.jasonjones-photo.com


 
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Business 101 – Use a contract

I get all kinds of inquiries regarding the business end of photography.  Most are requests about how to find work, marketing and print sales. Almost NEVER does someone ask me about contracts until they have had a problem. And usually its a huge problem that a contract would have remedied immediately! I am simply amazed at the number of people doing business as photographers that do not have even a basic contract to use.

I know what you’re thinking, contracts are a hassle. Yes they can be. But think about how much hassle that last dispute was, and how easily a contract would have solved the problem/confusion? Most professional services use contracts with clients, so there is no excuse for you not to.  What if you had to go to court over a disagreement with a wedding/bride? How would you convince a judge your side of the story was accurate? What would you do if a client said that you owed them something and you did not agree to that? How could you calm them and keep them as a client? Easy, with WRITTEN PROOF OF WHAT YOU AGREED TO!

Let’s look at some scenarios where a contract will save your hide…

Scenario 1:

A commercial client agrees to an estimate for product photography of 10 items, with one fully edited, high res image of each item for web, printed catalog and trade publication usage. After the shoot, the client calls and says ” Product number 3 you shot is already a big hit, and we now carry it in 4 colors.  Can you change the color in photoshop to match each of the other 3 colors we added and send those over asap?”

Of course you always can, but here is the implications: You just cheated yourself out of another product shoot/invoice from that client, and you are doing extra editing work that wasn’t agreed upon, which takes time, and you are cheating yourself out of that money too. Without a contract, you can be backed into a corner by the client, who insists this is part of the editing and that you were paid for the products you shot, etc. WITH a contract that properly outlines the scope of this job, you can point out to the client they have two options, shoot the other three products under the same terms, for the same price per product, OR pay the licensing fee for the 3 NEW images you created in photoshop, plus some editing fees. Its up to you as to how you break it down, or sweeten the deal to sway them either way and there is no right answer on how to do that with every client, but a contract keeps them from backing you into a corner for free, and ensures that any extra work outside the original scope is compensated in addition to the original invoice. Depending on usage and other items, even something that sounds this simple can be worth THOUSANDS of dollars. Most of us would cross a busy street to catch a $100 bill, why give away 20 times that to some company that is just trying to get more out of you for less $$?

 

Scenario 2:

You just delivered a dvd, and a 10×10 flushmount leather album to a bride after her wedding. She loves everything and rushes home to show her mom, who helped pay for the photography. Mom (who maybe  is getting old and has some not so pleasant days lol) INSISTS that at the consultation you promised an additional 10×10 clone/ parent album.  Now the bride is calling wanting her other book, and when you say no, she threatens legal action because she now thinks that book that you have listed at $1000 ala carte is also the same amount of money she has been shorted. You insist that the only discussion of the parent books was during package presentations, and it is included in the package above hers only. She persists, and sues you in small claims court after you stop returning calls and emails.  When your day in court comes, what will the judge say?  Courts do not take your word against theirs as evidence either.

If you had a contract, it likely would NEVER go to court because even less educated people can see that the contract clearly stated what they payed for.  And its not just about an album that costs you a mere $300 either. The time spent handling it, going to court, possibly attorneys fees (which if she hired one, you can be made to repay hers as well), and in some states, plantiffs can be awarded 3 times the value of the suit for troubles if they win. Thats a BIG risk to take without any proof of what you are selling. 10 minutes at the time of the deposit would save you a few thousand dollars and weeks of headaches in this case.

 

Scenario 3:

You hire an assistant and second shooter for an upcoming wedding.  You make them sign proper contracts, outlining usage of the images, contact with the client and other behaviors.  During the wedding reception, you see your second shooter lounging outside smoking cigarettes with the guests, passing out his business cards. When you call him aside, he tells you to go pound sand, he needed a smoke break and denies promoting his business, despite being caught.  You copy the images from his CF card, and send him home early, with less pay than he expected because of the 3 hours he did not work after being sent home, and violating the self promotion clause in the contract. He says he is owed the full amount either way since it was a flat price agreed on.

Just like the bride scenario, this could end up in court, however with the contract, and proper outlines of expected behavior and productivity – you can defend your actions as any employer would in this case.

 

There are ENDLESS scenarios, but contracts make sense for your business. Period.

Some resources to start you off if you don’t have any contracts in place (however your attorney should always review and approve your contract before use) are at the following links:

http://www.wppionline.com/index.shtml

For commercial type work, these two links are extremely helpful resources

http://asmp.org/

http://www.wonderfulmachine.com/downloads/day_v_space_050710.pdf

Also, search wonderful machine’s website for even more useful information about contracts and negotiations. Each “genre” of photography comes with it’s own niches and pitfalls, so consult experienced peers and qualified attorneys before relying on something you just copied from the web.

 

Jason

http://www.jasonjones-photo.com


 
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Get a Slice!

We love to share information to help improve the industry.  Of course, we have photo lives too and don’t always get to post detailed how-to articles or even post weekly.  We try, but sometimes {ok, many times} all other responsibilities win out our time. So instead of creating new content, we will search out and repost wonderful articles are are interesting to pass along.  In a way, we are like a library… picking the best so you don’t have to! LOL

Along those lines, you MUST check out our friends at The Creative Orange.   Kevin and Essie are an amazingly, talented couple so full of energy that I couldn’t keep up at AfterDark in Dallas.  Really… and I was shooting RockStar Energy Drinks!

You will love their timely videos, great products and funny insights.  So don’t delay… Get a Slice of Orange!

 

The Creative Orange Website / Blog    The Creative Orange Facebook  


 
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Texas School and Pre School Editing with Julieanne Kost

Published on March 28, 2012 by in Education, News

Texas School 2012 is coming soon and the team from BWC will be there to show off our New Products and visit with our clients and friends who will be attending. As a special event this year it has just been announced that JULIEANNE KOST, known as the Amazing Adobe Goddess, will be teaching a full day class on Saturday, April 28th the day before Texas School officially starts.

If you are already attending Texas School just go to Julieanne Kost Sign Up and register. Then just show up for Texas School a day early.

Remember, there are still classes available at Texas School from April 29th thru May 4th. Just go to Texas School.org to check out the great educational opportunities that you can still get this year. If you sign up now for a class you can attend Julieanne’s workshop and learn all about Adobe for just $49. If you can’t attend Texas School this year, Julieanne’s class will still be available to the public for just $97. Register soon, space is limited.

We look forward to seeing you on Saturday April 28th for the seminar. Also remember The Big Texas Shoot Out will be on Thursday night, May 3rd. Top prize is $1000.00. More information will be coming your way about THE BIG TEXAS SHOOT OUT.

Say hello to EDYTHE BLACKWELL at the BWC Booth.  Ask her about the FREE HUG Lab Special from Robert! BUT you must FAN the BWC Facebook Page FIRST!


 
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Receipt Scanner for iOS Devices

I was at a luncheon yesterday with a bunch of wedding photographers. We always share apps at some point right? Well this one is going to be quite handy.

You know you hate dealing with the stacks of receipts right? Welcome to TurboScan. You can use your iPhone or other iOS Device to take a picture of the receipt, save it to the phone, email it to yourself or email it to your DropBox. Here is a link to the service that creates an email so you can send straight to your DropBox – SendToDropBox.com

TurboScan turns your iPhone into a multipage scanner for documents, receipts, notes, whiteboards, etc. With TurboScan, you can quickly scan your documents and store, search, print, or email them as multipage PDFs or JPEG files. I’ve only been using it for 1 day at the time I’m writing this. But I’m sure I’ll use it indefinitely unless something much better comes along. If I could find an app to do my laundry and cleaning then I would be set. ENJOY!

Here’s your iTunes Link – TurboScan

Below are several screen shots from the app.

This is the view when you take a picture of your document or receipt.

This is the view directly after so you can adjust the skew of the image. It will make the image more proportional to the original.

Then you can adjust the contrast, make it a color image or a photo rather than a document.

Then you have some options to edit the name and also where to send it.

Options for Saving, Printing, Sending.

Choose what type of document and give it a name.

Here is a list of your documents.

Settings Screen.

Settings Screen.

Settings Screen.

Settings Screen.

 

 


 
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We NEED Photographers NOW!

Oklahoma NEEDS photographers NOW!

Not sure what header I can use to draw you into reading and watching a little video.  Terri and I have been a part of this organization for about three years and it’s very rewarding to the heart.  It would take too many words to explain the reason why we choose to perform these acts of kindness but I’m willing to tell everyone in person about my experiences, so long as hugs and tears of a grown man are not disheartening.  I can’t speak for the other photographers take dedicate energy, time, passion and dedication to this organization.  You must ask them yourself.

The Oklahoma Metro area is desperate for more photographers willing to take the challenge that our industry is about caring or giving to our communities.

Please add your name and give something more valuable than money.  Give your time and passion to someone that needs healing.  Please join.  We are training soon!

 

 

SIGN UP HERE


 
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Everyone Loves to Help

Published on February 18, 2012 by in Education

There is a vast amount of information available online for photographers to explore, gather and learn.  So much in fact, that much of it is crap.  That might be a strong word, so let’s just say “less than truthful or accurate”.  We normally find out about the mis-truths during on online transaction for the deal of a lifetime best camera ever and quickly become skeptics of all things www.  But when a large organization puts their name on research information, guides, white papers or reviews… More than just a few of us listened and took notice.  Specially if they use the one word that no photographer can resist – FREE!  And now, it’s no longer a secret!   Check out PhotoShelter’s list of FREE GUIDES.  The latest one is on successful wedding business.


 
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Adobe Photoshop Lightroom 3 – 50% off at Adobe

Get Lightroom 3 at 50% off now! That way when v4 comes out you can just pay the upgrade price.

Get yours here: CLICK ME


 
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Lightroom Tip

Published on February 5, 2012 by in Uncategorized

I know everyone here is using a network attached, 4 TB mirrored RAID set up for backing up their files right? Don’t feel alone, most are not. In fact I would bet majority of the people reading this do it the old fashioned way by copying folders to another drive manually, and maybe have a Time Machine for their Mac in some instances.

Well, never fear, Lightroom can knock a couple of steps off, and if you set it up right, it will do this almost seamlessly for you when you bring files off of a memory card after a shoot. Look at the image below for reference when reading this to help make more sense. It’s a really quick little tip that not alot of Lightroom users know about or utilize.

Looking at the import menu, from the top down, we see some key items. First, no need to import duplicates that I can think of. However I am sure someone needs to, or it would not be available as a check box. Below that is the meat of this tip: Pick where the backup copy will go. When you click on the link for destination, you can create a new folder, etc. right inside Lightroom.  Apply your develop, metadata and keyword settings, then plug in your destination and subfolder, and import!

What happens is Lightroom takes the files from your memory card, makes two copies in the folders you specified, anywhere on your network or system, and creates the necessary folders as well. I have found that Lightroom runs much slower if I work completely off of my external drives, so I put my working copy on an internal SATA drive, a backup on another internal SATA drive, then export the edits as a catalog, and finals to my data storage/backup drives. After I no longer need to edit the files, I delete them off of my C:\ drive since it is the smallest at 1 TB.

Hope this saves you a few minutes on every shoot. All those minutes add up after a while and at the end of the year, take an extra day or two off, you’ve saved it!

 

Jason


 
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